Emerging from an original dimension in sound, the polygenesis Avalanche Kaito redefine what it is to talk with the ancients whilst leaping forth into a futuristic chaos of noise on their debut album journey. A mysterious matrix that echoes disparate (but strangely compatible) sonic strands: deep griot traditions, Fugazi, Can, '70s era Zappa, Black Midi, the full throttle rush of Nyege Nyege Tapes. Previously unpublished photographs by Pat Ireton.
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Personnel: Dredd Foole - guitar, vocals Roger Miller - organ, guitar Clint Conley - guitar Martin Swope - prepared bass Peter Prescott - drums. Select live at the Channel 8/9/82, previously unreleased. The studio effort is balanced by a lo-fi selection of the project's astounding live debut from later that year, captured on cassette. Radically remixed/fully mixed from the original master tapes, remastered, and with the full cooperation of Dredd Foole and Mission of Burma, this first archival effort surfaces the entirety of that blistering studio session, growing it to near-album length and presenting a full picture of the Din's sound. Until now, the only documentation of Dredd Foole and Mission of Burma's nearly two years of lowkey collaborative activity - the celebrated band's sole collaboration during their initial incarnation - was a two-song 7" single. That this was achieved with such rock action is testament to the power of those involved. He sought to engineer maniacal and spiritually-frenzied bursts of raw aliveness. Dredd's approach was radical even by the underground standards of the day: only the chords and some lyrics were predetermined, yet the songs were recorded in one take, without rehearsal. During an era of peak corporate control on popular music, when guitars were in the closet, improvisation was in retreat, and the flames of fire music were dimming, Dredd Foole and the Din emerged as part of a new underground kicking against the pricks, holding the line with the firmly clenched spirit of The Stooges, The Velvet Underground, and the newfound freedoms of the DIY post-punk landscape. Dempsey presents the first release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din. After an exhaustive approach in which hundreds of live, studio, home, and private performances have been located and reviewed over several years, Corbett Vs.
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They would never tour and lacked ambition, so their powers were largely witnessed by a cloistered Boston scene. Forty years ago, in February 1982, Dredd entered the studio with Mission of Burma, stepping off a remarkable decade of post-punk activity that drew comparisons to The Stooges, Tim Buckley, and various outsider musicians.
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Inducted into Rock And Roll Hall of Fame in 2006 (Performer).
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In the mid 1970s he stopped playing because of health problems, though in 1980 he made an 'electronical' comeback. In the late 1960s he started to experiment with electronic instruments and rock and funk rhythms. Miles Davis was one of the musicians who introduced the 'Hard Bop' in the mid 1950s. From the few recordings they made in 1949 to 1950 came the album " Birth Of The Cool" (1957), with Davis and Evans going on to work more together in the future. In 1948 Miles Davis started to make his own ensembles, at that time he met Gil Evans, The Miles Davis Nonet was born. Miles went to NYC to study at the academic school for musicians, where he met Charlie Parker. Winner of eight Grammy awards.ĭied: 28 September 1991 in Santa Monica, California, USA (aged 65).īest known for his seminal modern jazz album " Kind Of Blue" (1959), the highest selling jazz album of all time with six million copies sold. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general.